Displaying items by tag: Clint Eastwood

We have three more new disc reviews for you today, including…

Stephen’s look at both the regular 4K Ultra HD and 4K Steelbook versions of Clint Eastwood’s Pale Rider (1985) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment.

And Dennis’ take on Kirk Douglas’ Posse (1975) on Blu-ray from Paramount via Kino Lorber Studio Classics.

In release news today, Vinegar Syndrome has announced a trio of new 4K Ultra HD titles as part of their Halfway to Black Friday event, including Bob Saget’s Dirty Work (1998), Michael Ritchie’s The Golden Child (1986), and William Friedkin’s Jade (1995)! All three will include Dolby Vision HDR and substantial extras.

What’s more, our friends at Kino Lorber Studio Classics have just set George Stevens’ Shane (1953) for 4K Ultra HD and Blu-ray release on 7/15! That’s a Paramount title, and it’ll include Dolby Vision HDR. [Read on here...]

We’ve got four new disc reviews for you guys to start the new week, including...

Stephen’s look at both the regular 4K Ultra HD and 4K UHD Steelbook versions of Don Siegel’s Dirty Harry (1971) from Malpaso via Warner Bros. Discovery Home Entertainment.

Dennis’ take on Vernon Sewell’s Burke and Hare (1972) on Blu-ray from Kino Lorber Studio Classics.

And Stuart’s thoughts on John Boulting’s I’m All Right Jack (1959), also on Blu-ray from Kino Lorber Studio Classics.

More reviews are forthcoming this week, including the other two Clint Eastwood 4K titles, so be sure to watch for them.

In announcement news today, the big news is that Shout! Factory has just announced the first title in their new Hong Kong Cinema Classics label: The Jet Li Collection, a 10-disc 4K Ultra HD + Blu-ray box set that will include Gordon Chan’s Fist of Legend (1994), Yuen Woo-ping’s Tai Chi Master (1993), Corey Yuen’s Fong Sai Yuk (1993), Fong Sai Yuk II (1993), and The Bodyguard from Beijing (1994)! Look for the box to street on 7/29. [Read on here...]

We have three new disc reviews to start the week out right for you this afternoon, including...

Dennis’ thoughts on Leigh Whannell’s Wolf Man (2025) in 4K Ultra HD from Blumhouse via Universal (with an assist on the 4K AV portion by Tim Salmons).

Stuart’s look at Albert Zugsmith’s College Confidential (1960) on Blu-ray from Kino Lorber Studio Classics.

And Stephen’s take on Peter Greenaway’s The Belly of an Architect (1987) on Blu-ray from Hemdale via Vinegar Syndrome.

Also today, we’ve got a new update of our 4K Ultra HD Release List here at The Bits, and I also shared a new My Two Cents: A Video Blog update for subscribers on our Patreon page over the weekend, with some exciting catalog news. As always, we have very affordable subscription options for our Patreon and it’s a great way to help support our work here at The Bits website. So we hope you’ll consider joining us there! [Read on here...]

We have a few more new announcements to share with you today, and a little bit of an update...

First, A24 has just announced new A24 Shop-exclusive Blu-ray and 4K Ultra HD editions of Halina Reijn’s Babygirl (2024) that are expected to ship in March (street date TBA). The 4K includes HDR10 high dynamic range, while both feature Dolby Atmos audio. Extras on each version will include audio commentary with writer/director Halina Reijn, 2 featurettes (Directing Desire with Halina Reijn and Power Looks: Dressing the Cast of Babygirl), deleted scenes, and a gallery of BTS photography by Niko Tavernise. You can pre-order both versions here.

Meanwhile, our friends at the BFI have just announced new 4K editions of Akira Kurosawa’s Throne of Blood (1957) and Mathieu Kassovitz’s La Haine (1995). The former is set to street on May 19, while the latter arrives on April 14. Both will feature Dolby Vision HDR. You can find those here.

A quick update on those Clint Eastwood 4K titles we mentioned Tuesday, including Pale Rider (1985), Dirty Harry (1971), and The Outlaw Josey Wales (1976): They’re now available for pre-order on the Gruv website, but with no street date listed. We expect official details from Warner Bros. Discovery Home Entertainment in the coming weeks. [Read on here...]

We’ve got a couple quick items of announcement news for you all today, but first I wanted to let you all know that our Release Dates and Artwork section has been updated to include all the latest Blu-ray, DVD, and 4K UHD cover art and Amazon pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one our links (like this one), you’re helping to support our work here at The Bits and we greatly appreciate it! And don’t forget, you can also support our work here by subscribing to our Patreon or by making a donation via PayPal here. Thank you!

Now then... Paramount has officially set Peter Segal’s Tommy Boy (1995) for 4K Ultra HD and 4K Steelbook release on 3/25. The film has been newly-remastered under the supervision of the director. All the legacy Blu-ray extras will carry over.

Our friends at Kino Lorber Studio Classics are officially bringing Gary Fleder’s Things to Do in Denver When You’re Dead (1995) to 4K Ultra HD and Blu-ray on 4/29. Also coming that day to Blu-ray from KLSC are Kirk Douglas’ Posse (1975) and Richard Friedenberg and James L. Conway’s The Bermuda Triangle (1979).

From Raro Video via KLSC, Lina Wertmüller’s Swept Away (1974) is coming to 4K Ultra HD on 4/29 as well. [Read on here...]

Afternoon, everyone! We’ve got a bunch of good release news to report today, but first we have a trio of new disc reviews to share with you, including...

My take on Chris Sanders’ stunning The Wild Robot (2024) in 4K Ultra HD from DreamWorks Animation.

Stephen’s look at the Disney+ streaming series Hawkeye: The Complete First Season (2021) in 4K Ultra HD Steelbook from Marvel.

And Tim’s review of Lau Kar-leung’s Return to the 36th Chamber (1980) on Blu-ray from Arrow’s excellent Shawscope: Volume Two box set.

Also, just to let you guys know, we have a ton of disc reviews in the works for the coming weeks. I myself have just spent the entire weekend reviewing disc, including The Wild Robot (linked above) but also the new Interstellar: 10th Anniversary Release, Ahsoka, Lost Horizon, and more. Plus the entire Bits review team is working on disc Blu-ray and 4K reviews. So watch for lots of them to be posted, a few each weekday between now and Christmas.

Now then... the big news today is that Sony Pictures Home Entertainment has officially set Kelly Marcel’s Venom 3: The Last Dance for Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook on 2/21. The 4K SKUs will feature Dolby Vision HDR and Dolby Atmos audio. Extras will include a host of video-based features as follows: Deleted & Extended Scenes, Venomous Laughs: Outtakes & Bloopers, Bonded in Chaos: Tom Hardy, Author of Mayhem: From Writer to Director, Venom’s Inner Circle, Venom Unleashed: The Action & Stunts, Select Scene PreVis, One Last Dance – Tom Morello x Grandson Music Video, Savor the Last Bite: The Venom Legacy, and Brock Bottom: Mrs. Chen Interview. [Read on here...]

Afternoon, Bits readers! We’re starting today with some more new disc reviews...

First up, I’ve taken a look at Lucasfilm and Disney’s new 4K Ultra HD release of The Mandalorian: The Complete Third Season (2023) which streets in Steelbook packaging tomorrow.

Also, Tim has given Clint Eastwood’s Play Misty for Me (1971) a look in 4K Ultra HD from Kino Lorber Studio classics.

And Tim has also reviewed the two new Looney Tunes Blu-ray releases from the Warner Archive Collection, including Volume 4 and a collected Volumes 1-4 edition.

More reviews are forthcoming all this week, so be sure to watch for them.

The big news today is that Vinegar Syndrome, over the weekend, sold out its entire 12,000-unit run of their just-announced 4K Limited Edition of Michael Mann’s The Keep (1983). That’s probably no surprise; the title has been a home entertainment holy grail for something like two decades. We do expect at some point that there will be a standard edition more widely available from the company. [Read on here...]

All right, we’re closing out the short holiday week here at the site with more new disc reviews, including...

My reviews of Fede Álvarez’s Alien: Romulus (2024) in 4K Ultra HD from 20th Century Studios, as well as the BFI’s edition of Akira Kurosawa’s Seven Samurai (1954) in 4K Ultra HD.

Tim’s reviews of Clint Eastwood’s The Eiger Sanction (1975) in 4K UHD and also Monk: Season Three (2004-2005) on Blu-ray, both from Kino Lorber Studio Classics.

Dennis’ look at Martin Ritt’s Cross Creek (1983) on Blu-ray from KLSC.

And finally, Stuart’s take on Sidney Lumet’s Garbo Talks (1984) also on Blu-ray from KLSC.

We’ll have more reviews on Friday and over the weekend as well.

In news today, 20th Century Studios has just announced that Jared Hess’ Napoleon Dynamite (2004) is now available Digitally in 4K UHD. There’s no word yet on a physical 4K release, but given the title’s popularity, it’s definitely possible that one could follow in the new year. [Read on here...]

All right, here are today’s new disc reviews...

Dennis has taken a look at Joel Schumacher’s 8MM (1999) on Blu-ray from Imprint Films.

Stuart has offered his take on Roberto Gavaldón’s Untouched (1954) on Blu-ray on Powerhouse Films’ Indicator label.

Tim has taken a look at Marcus Nispel’s remake of Friday the 13th (2009) in 4K Ultra HD from Arrow Video. He’s also turned in a review of Lucio Fulci’s Lizard in a Woman’s Skin (1971) on Blu-ray from Umbrella Entertainment.

And last, but certainly not least, Stephen has taken a deep dive into Toho’s Godzilla store-exclusive version of Takashi Yamazaki’s Godzilla Minus One (2023) in 4K Ultra HD!

Also here at The Bits today, we have a brand new update of our Release Dates & Artwork section, which is a convenient way to see all of the new Blu-ray, DVD, and 4K Ultra HD titles that street each week. You can see the cover art, and sort by date and format. And you can click on each of the titles to pre-order them on Amazon.

On that note, I wanted to take a moment to share a challenge we’ve been having of late, which is that our Amazon Affiliate revenue has been declining. For a long time now—for over a decade—our Affiliate revenue has been a big part of helping us to keep The Digital Bits going—to help us cover our server and operating costs. It’s how we’ve been able to keep The Bits free for everyone to read for over 27 years now. In recent months, however, that revenue has begun to decline. We understand that Amazon may not always be the cheapest option these days. So for those of you who still support The Bits by shopping with them through links (in the daily news column, in our disc reviews, in the 4K Ultra HD Release List, and in the Release Dates & Artwork section), we really appreciate it very much! [Read on here...]

All right, here’s today’s new disc reviews for all of you to enjoy...

Stephen has taken a look at Aleksandr Ptushko’s Ruslan and Ludmila (1972) on Blu-ray from Mosfilm via Deaf Crocodile and Vinegar Syndrome.

Dennis has reviewed William C. Reilly’s Men of Respect (1990) on Blu-ray from Columbia Pictures via Imprint Films.

And Tim has checked in with his thoughts on Nancy Walker’s Can’t Stop the Music (1980) in 4K Ultra HD from EMI via Kino Lorber Studio Classics!

Now then, we have a bunch of great announcement news for you today, so let’s get right into it...

For starters, Criterion has just announced their December release slate, which is set to include Wim Wenders’ Paris, Texas (1984) (Spine #501 – 4K + Blu-ray and Blu-ray) on 12/3, Joel and Ethan Coen’s No Country for Old Men (2007) (Spine #1243 – 4K + Blu-ray and Blu-ray) and Federico Fellini’s 8½ (1963) (Spine #140 – 4K + Blu-ray) on 12/10, and Sammo Hung’s Eastern Condors (1987) (Spine #1244 on Blu-ray) on 12/17! Paris, Texas and No Country for Old Men will both include Dolby Vision HDR. No Country for Old Men is a Miramax title currently controlled by Paramount, so this is a licensing situation (and a welcome one). More details are available here, and you can see the cover artwork for all of these below the break. [Read on here...]