History, Legacy & Showmanship
“It’s amazing how such a silly sitcom can help refuel the spirit by helping us appreciate life’s absurdities. Three’s Company constantly reminded that such a shift in perspective can help us tackle the not-so-funny stuff in life.” — Come and Knock on Our Door author Chris Mann
The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective article commemorating the 40th anniversary of Three’s Company, the farcical situation comedy television series starring John Ritter as Jack Tripper which showcased his comedic exploits with his two female roommates, friends and nosy landlord. [Read more here...]
“Citizen Kane towers over most other films. Few are in its league. It has a legacy for filmmakers as the film to beat, and for critics as one of the best of the best.” — Young Orson: The Years of Luck and Genius on the Path to Citizen Kane author Patrick McGilligan
The Digital Bits is pleased to present this retrospective commemorating the diamond anniversary of the release of Citizen Kane, Orson Welles’s legendary film about newspaper tycoon Charles Foster Kane and the pursuit of the meaning of “Rosebud.” [Read on here...]
“Around the World in Eighty Days, and more specifically, Mike Todd, defined the way to sell a hard ticket roadshow film. It was important to present the show just like the legitimate stage on Broadway.” — American Widescreen Museum curator Martin Hart
The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective article commemorating the 60th anniversary of the release of Around the World in Eighty Days, Mike Todd’s cinematic production of the classic Jules Verne novel which starred David Niven, Cantinflas and Shirley MacLaine, plus an all-star selection of cameos. [Read on here...]
“The show is completely stolen by Wint and Kidd. They should have had their own series.” — 007 historian and documentarian John Cork
The Digital Bits is pleased to present this retrospective commemorating the 45th anniversary of the release of Diamonds Are Forever, the seventh (official) cinematic James Bond adventure and, most notably, the final appearance of Sean Connery in an EON-produced 007 movie.
As with our previous 007 articles (see Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong), The Bits and History, Legacy & Showmanship continue the series with this retrospective featuring a Q&A with an esteemed group of James Bond scholars, documentarians and historians who discuss the virtues, shortcomings and legacy of Diamonds Are Forever. [Read on here...]
“Rocky deserves to be celebrated first because of how it’s always made people feel: capable and empowered. Then there’s the fact that it’s also a cultural landmark. Rocky gave us the fanfare, the song, and the proper use of the Philadelphia Museum of Art’s front steps.” — I, of the Tiger author Eric Lichtenfeld
The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective article commemorating the 40th anniversary of the release of Rocky, the award-winning and franchise-inspiring boxing classic starring Sylvester Stallone as the titular character.
Directed by John G. Avildsen (The Karate Kid, Lean on Me) and produced by Irwin Winkler & Robert Chartoff (Raging Bull, The Right Stuff), Rocky showcased memorable performances by Carl Weathers as opponent Apollo Creed, Talia Shire as love interest Adrian, Burgess Meredith as trainer Mickey, and Burt Young as friend and Adrian’s brother Paulie. Nominated for ten Academy Awards (and winning three including Best Picture), the film made a star out of Stallone, featured Bill Conti’s rousing music, turned millions of moviegoers on to boxing, and created a newfound purpose for the steps leading to the Philadelphia Museum of Art. [Read on here...]